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An Exploration of Art, High and Low, at Marni Spring 2019

Francesco Risso offers a playful look at process and posterity.

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Marni - Runway - Milan Fashion Week Spring/Summer 2019
Victor VIRGILE//Getty Images

After two years at the helm of Marni—the Italian designer was appointed creative director in late 2016—Francesco Risso's confidence is gaining momentum. At first a parade of unfinished hems in muslin-like neutrals seemed to reference a workmanlike aesthetic—a quiet, this-is-how-the-sausage-is-made wink. Soon, though, the rather complex and exquisite Grecian draping gave way to playful and bombastic patterns: silks are splashed with fine art torsos, busts, portraits, and even daubs of paint; hems are adorned with beads, sequins and chains (threads still visible, of course). A clutch of feminine, nipped waist gowns in soft pastels rounded out the show, just right for those who come to Marni to feel like a lady—a very cool lady indeed.

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Hannah Morrill
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Hannah Morrill is a writer and editor based in Portland, Maine. She’s an avid reader, an indifferent face-washer and a sunscreen/retinol evangelist.
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Marni - Runway - Milan Fashion Week Spring/Summer 2019
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